Home Studio Recording Session – A Closer Look

I decided a while back that I wanted to shoot a video of a full band recording session at my place. There are so many of us that want the best sounding recording possible, WITHOUT $100k worth recording gear. We just don’t have the budget.

There ARE however certain steps we can take to get us closer to that goal. Here’s how I tackle a full on session, with what I have.

“You Are” – written by Doug Butler

Drums- Aaron Badillo

Bass- Josias Badillo
Vocals- Doug Butler
BGVs- Doug Butler, Sean Hebert, Marc Hebert
Acoustic guitar- Doug Butler
Electric Guitars/Synths- Sean Hebert

Gear used:
Macbook Pro
RME Fireface UFX
Focusrite Octopre
Pro Tools 10
Plugins- Massey CT4 and CT5, NI RC24, Slate VCC, Ozone 4 and stock PT plugs

Snare Top-SM57
Snare Bottom-E604
Overheads-SM81’s (XY pattern)
Room Mic-AT4033
Acoustic-SM 81
Electrics-POD X3 Live DI (AC 30 Top Boost model)
Vocals-AT4033 (UFX onboard preamp)

Recorded/Mixed/Mastered by Sean Hebert at
TheGlobalGuitarist Audio Productions

Video work by Jacob Gardner – https://www.youtube.com/user/weirdestjacob


Get Over “Gear Acquisition Syndrome”

Some of the best sounding mixes ive ever heard are from the early 90s.

Today’s BUDGET recording gear is better than the pro gear they had then. If you can’t get great recordings/mixes, it’s YOU. Not the gear.

Stop thinking that the next gear purchase will magically give you amazing mixes. Rather, keep recording, practicing and honing your skills. Mic choice, mic placement, gain staging, recording space, quality of the performance, mixing skills…

These have far greater impact on the final product than paying $6000 for 2 channels of conversion.

Have a great weekend folks!


A Pre-Studio Checklist

I wanted to give a little advice to you musicians out there who plan on going into the studio in the future. Here is a check list of some of the more important things you should consider before ever stepping foot in the studio.

        1. Have the music ready to go. 

This might seem pretty obvious but a lot of younger or more inexperienced groups fail to have their parts memorized, or even written. They get in the studio and spend hours upon hours figuring out their parts, practicing their parts and arguing amongst themselves about which parts will be played. What a huge waste of money. Unless you have endless amounts of funding for studio time, have every part decided on, rehearsed, ready to be played and played well. Have all lyrics memorized. The end result will not only sound better, but the process of getting the end result will have been much more enjoyable for everyone involved. You’ll save money too!

2. Decide if you will be recording to a click.

Some bands do and some bands don’t. Just decide early on if this is something everyone is comfortable with. I always recommend a click track because it makes editing much easier, makes the music tighter and more professional sounding and also allows for some really creative post production techniques. That said, if your drummer can’t get tight with a click it will kind of work against you. Practice with a metronome until everyone is nice and comfy with it, like it’s part of the music itself. If it’s still an issue for someone and just won’t be possible, bypass it and move on. It’s better to play somewhat tight as a unit and have a natural, musical song than to waste time on several takes and punch ins yielding in a forced, unnatural tune.

3. Be sure your gear is in tip top shape.

Put new strings on all guitars, new heads on all drums, tighten all screws and anything else that can rattle on equipment or accessories. Fine tune your guitar’s intonation and action if needed. For guitarists, be sure all your effects pedals, amps and gear are operating properly and that all your connections are tight and proper. The last thing you want is for your signal to drop out in the studio and you’re down there troubleshooting loose connections and faulty power supplies. Basically, whatever instrument you play, be sure it sounds it’s best and is operating at 100%

4. Have the money together.

You will quickly make enemies in the music community if you stiff a local studio of their hard earned cash. Word spreads and you only want positive feedback floating around about you or your group. You want to appear honest and professional to your peers. Trust me it will benefit you in the long run. Aside from this, when you have all the cash in hand and pay for services promptly and in full you are much more likely to get your project finished on time, finished to your liking and sometimes even have special offers and discounts given to you for future projects. Above all, it’s the right thing to do.

So it’s not an extensive list but it is a few of the most important aspects of being prepared for a studio session. Don’t underestimate the small things. They can take you a long way, or cripple you.



Prepping Your Tracks For A Mix Engineer

I’ve worked with several clients this year who had trouble sending me their sessions or their audio for me to mix. Most of the time the audio is a jumbled mess once imported into a session. The reason for this is a lack of time-alignment between tracks. Here’s a brief video of how to properly prepare and export your audio, to be sent off for mixing.